Wednesday, February 27, 2008

Dreams


Last night I had a dream. Even within it, I struggled to find words to describe the vision I had seen.

I find myself in a dark and brooding old-growth forest. Not the bright, yellow-green of deciduous trees in spring, but the deeper blue- or black-green of the spruces, firs and pines of winter. Caught in their spell, I hear the whisper of a thousand voices, a thousand ghosts trapped in their needles and freed by the wind, the ghosts of a thousand trees that feed their young. Gray-dun birds of prey perch in their branches waiting silently to ride the voices and descend on any unsuspecting prey that scurries across the glade.

Beside the lea lies a fieldstone lodge with large, clear windows that reflect the dark sky. A patio of flagstones abuts the field shadowed by ancient sentinels. Who lives within the lodge? Are the raptors their familiars? Do they tend the trees and perfect green? No one is in sight but the place feels welcoming and well-kept. The stones and trees are suffused with peace. The peace you feel on a remote holiday you wish would never end. The peace you feel before you die.

Or wake to clutch a memory and struggle to recapture a perfect, fleeting moment. Like dappled water dancing on the ceiling of a lakeside pavilion. Or the broken reflection of the marshes beside the road that chase you home as you drive. Or two butterflies that spiral up and around each other in a double-helix toward the sky. Or a twilight contrail that transforms itself into a slow-motion meteor as it falls away from the sun. Or the shroud of fog fenced in by the quiet graves of a primitive Baptist cemetery while the rest of the terrain is clear.

All of which makes me wonder, which dreams are real and which are an illusion?


© 2008 Edward P. Morgan III

Three Muses


I share my days with three muses, capricious as cats, who sometimes focus my attention.

First, there is Samara, the youngest. Like any good muse, she responds to many names, depending on her mood. Mar-za-pan, Mar-zilla, Mara-licious. I think we'll call her mini-Mara.

She trills and bobs her head when I hold her gaze. She walks to me to see me after tumbling out of a bag of yarn. Or lies with all four feet in the air, belly exposed, prnt'ing and barely cracking an eye when I poke her. She is always happy to see me, though like a shy faerie, she hides herself from strangers. Some days she runs just to be alive.

Most mornings, she is the one who wakes me to share a vision she can't contain. The fire light of dawn, the molten copper of morning, faeries in the grass, fog like snow upon the lawn were all her gifts. She doesn't care that I have a headache, she needs to inspire. To her, the world is a fresh, new toy to play with and to share.

Then there's the elder statesman, Smoke, the dark prince, the demon, the sorcerer and enchanter. The oldest, if diminutive, lion of this pride, he roars for his dinner in the evening. He remains curious between long, contemplative naps, the friendly one, the one who casts a spell charming everyone he meets. Mournful for the many friends he's lost, he cries at the back door for their return, or calls that he will soon join them.

His is a domain of pure imagination. He weaves the spells of intrigue and mystery that sometimes infuse my brain. I think his visions are dreams from his mornings in the sun. Though slowing with age, he is perhaps my oldest, dearest friend.

Finally, there is the middle child, Pristina, the Tina-fish, the Tina-nator, Ms. Jealousy. She was much like Mara when she was younger, a self-contained brat-pack of one. Now, she has become more staid, though still a wildling. On cool mornings, she finds any scrap of sunshine to settle in. She curls up with an attitude, claiming her position as a territory, daring me to take it away.

With her I must be still and very quiet before she deigns to join me. Touching her is sometimes encouraged, sometimes off-limits. She has become solitary, yet ever-present. In the deepest parts of night, she stares at me until I awake, then her eyes consume my soul.

This morning, she jumped into my lap and granted me a gift I had never seen before. Achingly beautiful but impossible to describe, there are lone amber hairs set against the pewter fur on the back of her neck. They glow in the light slanting through the window, sharp and reflective, like fiber-optic strands phosphorescing in the morning sun. Individual hairs like spun bronze threads set against a gray velvet coat, like the imperfections in a tapestry that makes a perfect whole. It took nearly nine years for her to find the perfect light to reveal her secret to me, beauty well worth the wait.

Some days, these muses provide me a vision of inspiration. Some days, they are the only inspiration I have.


© 2008 Edward P. Morgan III

Tuesday, February 12, 2008

Rebalancing



Karen and I have started doing yoga again in the evenings. It has been pleasant to get back to reintegrating mind with body after the buffeting storm of the previous year. While my mind is willing, my body protests the increased activity in a way it hasn't for many, many years. Some of you may think that stretching and holding a position, posturing and posing, couldn't be much of a workout. It is. At least, it can be if you remember to breathe.

The instructor of the program we watch is about our age, perhaps a few years younger, and more flexible than any man has a right to be. Watching him run through the positions with such ease reminds me of my fencing instructor from college.

During the spring quarter of my freshmen year, the electrical engineering curriculum gave us our first and only free elective. I'd always been intrigued by fencing, so I thought I'd give it a try. My roommate, a stoner from somewhere in middle Tennessee who wouldn't return after the summer, also ended up in the class wanting something more physically than mentally challenging for a few hours each week.

The first day there were a couple dozen of us, all guys, all between 18 and 20. Going in most of us thought we were in fairly decent shape. And we all had the same visions of fencing, dashing swordplay and Errol Flynn.

The instructor soon disabused us of these notions. She was short with blond hair dulled by gray and had a rich, Slavic accent. Her name was Sophie. No last name, no "coach," just Sophie. The introduction seemed reassuring, all very low key and relaxed. Believing the class would follow that example was our first mistake. We found out later that Sophie had been on the Polish national fencing team in the Olympics when she was younger. We also learned that she was fifty, mostly from her taunts.

For the first week, all Sophie did was try to get us into something she thought resembled reasonable shape. While we thought of ourselves as sturdy oaks, she saw us as shallow-rooted palms easily toppled in the wind.

She started with wind-sprints across the width of the gym, one quarter, touch, one half, touch, three quarters, touch, bleacher to bleacher, touch, then the reverse as fast as we could. When she thought we were not giving our all (which was most of the time), she would run beside us, sprinting faster, tagging deeper, pivoting quicker than any of us ever could, and taunting us the entire time about being teenagers outrun by a fifty year-old woman. Most of us were amazed that she could harangue us while outdistancing us and never sound winded. When she was particularly disgusted with our progress, she would run backwards in front of us, daring us to catch up.

For a break, she would have us assume a fencing position and heal-toe our way across the floor. For those who don't know, the fencing position consists of putting your feet about shoulder distance apart, right foot and leg facing forward and bent at the knee so your shin is perpendicular to the floor and your thigh is at about a 45 degree angle. Your left foot and leg are pointed to the side at a 90 degree angle with your thigh bent at about 45 degrees, but your heel beneath you. Ideally, this gives a very stable distribution to your weight, a balance point where you can move either forward or backwards with equal ease. You extend your right arm almost all the way out with your elbow pointing to the side and slightly bent, your wrist loose. Your left trails out behind and is hooked slightly above your head. Your chest is in profile toward your opponent to give a smaller target.

Once you have that posture set in your mind, picture moving your right heel up to where your right toes are with all your weight on your left foot. Plant it and accept your weight then move your left foot up about the same distance, keeping it pointed to the side, all with your knees bent and arms out. Distinct steps, don't drag or shuffle either foot. Pivot and rock like a teeter-totter moving forward on bent legs. Got that?

Get up and try it, right now, even for a few steps. I would join you but my left knee sounds like a pepper mill when I do it. Your thighs will burn within the first five steps if you are doing it right. Ok, now imagine doing that forward and backward across the entire width of a college gym, changing direction at random for twenty minutes.

After that we practiced the lunges. If I thought my thighs were smoldering before, now they needed a fire extinguisher. By the end of forty-five minutes, my arms felt as though someone had injected them with molten lead. My breath came in ragged gasps despite being told that, like in yoga, I needed to control it. It took me the day between classes just to recover enough to do it again. All this before we touched any equipment. If you are thinking "wax on, wax off," you have the right idea. I don't think we picked up a foil or donned a mask until two weeks into the course.

By then my roommate, who was broader shouldered and more muscular than I was, had dropped out. His southern male ego couldn't take being harassed by someone thirty years his senior and in better shape, a woman no less. At least that's what he told me when he stopped showing up for class. But he wasn't the only one. By the end of the first two weeks, we were down to about half our original number. Most of those who left had started in better shape than I had. If I learned one thing from Sophie, it was that it's not always the strongest who survive.

I still remember most of the exercises, parry 2, parry 4, parry 6, parry 8, all different positions to divert an incoming foil. And the routines, beat, attack, parry, lunge, riposte. Always maintain your distance even if you have to pull your chest concave from your shoulders to do so. Never drop your guard. Valuable lessons on or off the line.

Once I learned the techniques and positions, there was a detached balance between mind and body, almost a meditation on the line. Fencing, like yoga, is a discipline. If you have ever watched a match, points are scored in a blur, often too quick for the eye to follow. You can't react on the line. If you think about what you intend to do, it will be too late. You act without thinking, without allowing your mind to become distracted by your opponent or yourself. To do that, you have to breathe and live in each moment completely. Another lesson I carried with me, perhaps more practical than the rest.

The balance in yoga is more like everything in middle age, slower and more measured. Each night, we run through routines with names like the sun salutation, up and down dog, the warrior, the bow. I think a lot about Sophie as my shoulders shake while I try to balance sideways on one hand with my legs rigid and my other arm sticking straight into the air, like a cross resting on its base and one arm. The trouble is I'm no longer 19 so what the mind envisions, the body can't always execute with the grace it imagines. But it's beginning to remember despite the protests.

At the end of each session we assume a final position to cool down and center. As I lay there, I begin to feel a little better grounded, like a tree sinking its roots into the earth. I feel reintegrated and rebalanced in a way that I haven't for many years. From the porch I hear the sound of the distant traffic that drifts through the leaves with the wind. The wind chimes strike a single note that resonates until it fades, then strikes another with the deliberateness of our breathing. There is a peace carried on the wind with those tones. Whether in motion or in stillness, I hope you find a moment to breathe and listen to its song.


© 2008 Edward P. Morgan III

Friday, February 1, 2008

Imbolc 2008



We arrive at the feast of St. Brigid, midway through the darkest portion of the year. A final celebration of winter before our minds turn toward the first campaigns of spring. We have healed from setbacks of the fall and now repair our equipment as the skalds and bards inspire us toward fresh glory with their ballads.

By the lake, the water sparkles with a dreamlike clarity as though filled with sparks thrown from a blacksmith's anvil. A storm cloud of crows rises to shadow our eyes as their contentious laughter startles us from slumber. We wake to a proxy war between the Norns and Fates. The Wyrd Sisters spin their magic from the well of the world tree while the Crones weave spells into the scenes of their tapestry and prepare to unleash the Furies for grievances against this life or the last. We thought their battle was just a brushfire war until the flames set the trees alight.

I hope the crows do not look down before reporting back to their mistresses as I think they would discover a salient, a small peninsula extending from our lines. Though we have fortified our position, I fear it may soon become untenable, a Maginot Line easily circumvented despite the fortune we have spent reinforcing it. Dark forces stalk between the brooding trees of the impassable and ancient forest that anchors our left flank, threatening to leave us an island amid a hostile sea should they find their way to the fields beyond.

We dream of conquests and counter-marches as we retreat toward our mountain strongholds to ride out this winter storm. Once the passes clear, we vow to unfurl our banners and raise the horns of war, reclaiming our destiny from such godlings and lesser men. I fear our gains will resemble the first footfalls on the last snows of winter, strikingly beautiful yet leaving no enduring impression.

Such are the dreams of Imbolc that lay restless within our minds as we sleep fitfully by the fire until winter melts into spring and the wind gives voice to the trees which whisper of brighter days to come.

© 2008 Edward P. Morgan III