Monday, August 31, 2009

Anticipation




Waiting, waiting, always waiting. 360 days of waiting and still we wait some more.

If you look for me over Labor Day, you'll find me in Atlanta. As we crawl through the unending days until Dragon*Con, we are like teenagers on the night before the first day of school, restless with thoughts of old friends, new teachers and new classes. We meet up to compare schedules and lockers, check out who's new and who's missing, who’s changed and who is just the same. We revel in that moment of endless promise and possibility before the first bell rings and notes are made on our permanent records. Excitement. Anticipation. An adventure.

Only geeks, right?

We arrive early to review our battle plan, our timetable gridded out with spreadsheet-like precision, knowing it will be shredded by the first encounter wandering down the hall. We reconnoiter the terrain, though after more than half a decade, we know it like the inside of our home at night. We note any rearrangement in the landscape, new tracks, new traps, new ambush sites.

We map out each encounter space, ruins, lairs, abandoned towers, any new source of potential treasure. Like sailors on a circumnavigation, we review our upcoming ports of call, Savannah, Cairo, Singapore, Manila. Like starship troopers, we learn the alien runes designating our assigned compartments, A703, M105, L504. For the next four days, we will be minotaurs wandering through this maze, vampires who fear the slightest kiss of sun. When Monday comes, we will be like clockwork toys whose springs are in need of winding.

Right now, our springs are fully wound, tight with anticipation. We are like children craving sugar the eve of Halloween, college students preparing for half a week of Mardi Gras rolled in with New Year's Eve. Our giddiness only intensifies as we stand in line waiting to get badged and cleared for entry. Like the alarms on our watches and cameras and cell phones, we slowly count down until D-Day, H-Hour, the second when the ball drops, the panels open and we let the games begin.

On the eve of this invasion, we roam the empty halls embracing the tingling, contented silence before they burst to overflowing. We stand watch on a balcony overlooking an impending anachronistic battle where the deaths are only temporary and the violence make-believe. We can almost hear the previous year echoing through the hotel lobbies and atriums and interconnecting hallways. Though a few old veterans are missing, we feel their presence like kindly spirits moving through the haze below, friendly ghosts drawn back to the self-described best weekend of their year.

When the gates finally creak open in the morning, we abandon all our cares in a pile by the door. Our days turn into bivouacs on a wilderness adventure. We carry rations in our backpacks, sling waterskins to be filled in this land of many springs. We become a recon team for the odd and the offbeat, slipping unnoticed into the strangest panels on the strangest tracks in the smallest, sometimes most crowded rooms. The quirky ones that surface then disappear. The ones that send archetypes and ingénues stalking through our collective subconscious, or settle in our minds like weird states of matter that shouldn't quite exist. Or dance before our eyes like symbols in the formulas defining interstellar combat. Or tickle our reasoning with the myth of photographic truth. The ones that fire our imaginations. The ones that make us think

For now, we read the intel reports to choose our encounters wisely. Occasionally, we reference the topo maps to find alternate routes around blocking actions and the inevitable pitched battle between the Miss Klingon Empire contestants and the Imperial 501st that spills into the hall. We are men and women on a mission; no one can bar our way. We fight through a phalanx of Kentucky-Fried 300, their creamy white beer-bellies blinding our eyes and sending our minds reeling with thoughts that loincloths are a privilege, not a right. Armies of angels and demons and faeries hover and flit around us, attempting to distract us with their plunging necklines before battering us with their underwired wings. We claw our way through hordes of synchronized Jacksonian undead, then dice with the blunderbuss-toting ranks of Victorian steam-punk explorers who stumbled into our melee, wagering for a map to guide them home.

We stockpile provisions in our night camp, content to live off the land and our rations until we return each day to rest. We hold vigils in the drum circle each night, dancing with the shadows in the concert halls, crawling back to our bedrolls with the False Dawn Brigade to catch enough sleep to stay on track tomorrow, whatever track that is, Art or Science, Space or Writing. In the morning we might wander the Silk Road or roam the Electronic Frontier until we are consumed by an Apocalypse Rising against the horizon.

We sprinkle business cards on the tables, hoping to seed some new readers, hoping at least a few will grow. We exchange coded contacts with fellow adventurers in casual meetings over coffee or in the lull of empty rooms. When the adventure is over, we will gather virtually or face-to-face to recount our tales, exchange our lies and compare our notes and treasure as we quietly sip our coffee. Very, very quietly.

Before we break camp on Monday, we will load up with parti-colored trinkets, baubles, books and music that we haggle from dealers and artisans in the booths of the bazaar. By then, we will have become like children's tops that have wound almost completely down, wobbling before we topple over on the plane.

But now, our strings are tightly wrapped, ready for the pull that spins us into the four dizzying days we crave to create sufficient memories to see us through the remainder of the year. Until then, we wait like children impatient to open our presents on this alternative Christmas Eve, sleeplessly wondering what surprises our secret Santa has in store for us this year.

If you look for me over Labor Day, you'll find me in Atlanta. I'll be the tall, dark-haired, geeky looking guy with glasses staying in the Marriott Marquis, the one carrying the khaki shoulder pack, the one with a leather notebook always in hand. That should narrow it down to one of several thousand. If you’re truly brave or interested, find the needle in the haystack called Smoke or Nodda Imaginings. If you get close enough to read my badge, perhaps I'll see you there.


© 2009 Edward P. Morgan III

Saturday, August 1, 2009

Lughnasa 2009

Lughnasa 2009 - a reading (on YouTube)

Lughnasa. English Lammas. The sun slowly fades from its solstice peak. Its journey is like a river; the water constant in its swirling, only the landscape changing as it slides by and day follows day.

The first day of harvest dawns with soft, shadowless, silver light creeping through the windows. By the river, a low furnace burns among the trees whose leaves dance a pantomime against the silver-orange light that forges another smoky dawn.

The spirits of the neighborhood gather to accept the offering of Lammas bread I lay before them, a small sacrifice to the guardians of this suburban demesne. With fluttering wings and fanned tails, young blues dance a ritual challenge against the reds, duns and grays for control of the unending seed. A red-shouldered juvenile frolics in the morning sun, chasing fallen pine needles before clutching one as a prize as it ascends to an oaken perch.

As I turn toward the water's edge, the summer sun embraces me like a lover long away, the humidity crushing all the breath from my chest. Nestled among the sage in this sere and shattered season, a lone purple blossom recalls an ancient rain song with an echo of storms to come.

The river is a still, black mirror marred only by a patchwork stain of lily pads, reflecting the cypress knees that tremble from supporting a dark green canopy of sky. Islands of tall, straight pines scattered across a green sea of pasture form the only topography along this stretch of watery highway.

Lightning skitters and shies along the horizon as cloud bottoms blur, merging sky with sea. Closer now, the lightning dances among the clouds, flashing their petticoats as distant elders grumble their disapproval at the provocative display. As the rain sheets down, the voice of the river rises from a hoarse whisper to a thunderous roar proclaiming its rebirth.

The edges of the world become as sharp as shattered crystal in the sterling twilight that follows the landscape cleansing rain. As night descends, the moon plays hide and seek among the clouds, its light occasionally spilling onto the water like heavy cream overflowing a large pewter pitcher.

By the equinox, thousands of migratory birds will form intricate line drawings of shallow waves cresting upon the river's wide and sandy shores. On a bluff overlooking the water, a mound of stones creates a low, dark chamber with a narrow passage leading in from outside, a cold womb where the dead are reborn from within. Towering trees guard these ancient ruins where gods once wept. Only blind men dwell there now, unscathed by its fallen beauty.

Each year wends along its own journey. Some happily burble while others crash and tumble over cataracts. A few become silent mirrors upon which we can reflect, with no two images looking exactly the same. Enjoy the journey, wherever it may take you. The river might not pass this way again.


© 2009 Edward P. Morgan III