Tuesday, October 31, 2017

Samhain 2017 - Generations




At Samhain, we play with death, exploring the barrier that separates it from life, trying to lessen its scariness in a way. Or reinforce its mystery. Like many events in this life, death either brings out the best or the worst in us. Or in the shades of grey world I live in, perhaps a bit of both.

I remember exactly when I wrote Generations, about a month after my grandfather died. Of all my grandparents, his death was the hardest to deal with for numerous reasons. I was back at home after what at best would be called a stressful experience. Not just his death but the way my immediate family handled it.

As children, as young adults, most of us learn how to handle death by watching our parents deal with it as their parents or, increasingly, grandparents die. Or how they don’t. Most of these lessons we absorb without knowing, without thinking. But they influence our behavior nonetheless, just as ours influences the generation that follows after. These are very difficult cycles to break.

Fortunately, many of us have more than a single pair of role-models to draw upon. It’s not to say we will pick and choose how we will react. I think too much of that is either learned too early or hardwired in. More that we will absorb and synthesize many different reactions from parents, grandparents, aunts, uncles, siblings, cousins, family friends, complete strangers. Who shows up, who doesn’t, who has to be coerced. Who takes charge, who falls apart, who leans on who for support. Who looks out for who with small kindnesses and who takes the opportunity to air old grievances.

I remember my first experience with death, the first time I watched the last of a generation die. I think I was in first grade. My great grandmother, who I want to say was over ninety and in a nursing home at the time, died. As with her life, I don’t remember many details of her death. Before she died, I remember visiting her on one of our trips to Boston in a very alien and scary (to me) nursing home. I remember she didn’t recognize many of us. I want to say my sister and I waited outside her room because we were pretty much unknown entities to her by then. I seem to remember my mother got the call that she had died at night. I remember crying because she was crying. I remember I didn’t sleep well that night. I remember still being sad in the morning, though I wasn’t sure exactly why.

The thing I remember most was the reaction of a teacher. When I showed up at school the next day, I think I cried again. My teacher came over and asked me why. I told her my great grandmother had died. In an admonishing tone that said I needed to stop, she said, “You are lucky to have had a great grandmother. Most of these kids don’t have grandparents.”

I was twenty-eight when the first of my grandparents died. My paternal grandfather. By the time I was forty-one the last of that generation of immediate family was gone, my paternal grandmother. With each of the four of them, I was fortunate in knowing the last time I saw them would likely be the very last, so I purposefully set those scenes into memory. In each case, I remember very specifically absorbing every detail I could. I’m not sure why or where I got it. But they are the memories I cling to.

With my father’s father it’s a memory of him brushing his hair to ensure it looked right before he moved out to the living room and settled in his favorite chair for my final visit, like everything was normal. With both my mother’s parents, it’s seeing them standing by their apartment door as Karen and I turned back before boarding the elevator down the hall, the first time with both of them, the second him alone. With my father’s mother, it’s a final lunch out by the water before she moved to a facility fifteen hundred miles north.

Then there was my father, the first of the next generation of immediate family to fall away. My father is the only person I’ve witnessed die. Counting the seconds between his final breaths is emblazoned in my memory.

I had considered writing about each of their deaths and how my family reacted to them. In fact I had it written up. But after allowing that draft to settle, I decided it wasn’t what I wanted to say. What we said and did would likely be as meaningless to anyone else as any of those memories.

Suffice it to say there were phone calls, there were tears, there was drama. There were connections formed and connections lost. There were four memorial services, two with huge reunions of friends and family, two for immediate family only. There were three stealth burials, two in suits and ties with spades and shovels and other implements of destruction complete with skirts and dresses serving as lookouts, one conducted under cover of darkness by just me and my wife. There were bitter feelings over property, there was easy sharing and compromise, there were long battles fought to ensure final wishes were met. There was protocol, there was censorship, there were recriminations. There was a suicide, a secret deal, a murderous accusation, and a synchronicitous inheritance.

So pretty much like any holiday dinner with family.

But in too many cases, recounting those events opened too many old wounds. Neither you nor I are interested in my tears of blood.

I’m not sure what I take away from those experiences. All of them were difficult, some more so than others, perhaps because of the event itself, perhaps because of the people and the circumstances involved. There are moments I cherish in each and moments I despise. I suppose there’s no escaping that in this life. But I think I am getting worse at this as time goes on.

I read a research brief this week that said even after your heart stops, your brain still forms thoughts. Which means it’s very possible in that sudden stillness you know you’re dead at least for a few seconds. Which probably bothers me a lot less than it does some of you.

So as I watch the generations change over season by seasons, at least one day I know I will find my peace. 


© 2017 Edward P. Morgan III

3 comments:

  1. --------------------------------
    Notes and asides:
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    To appropriate and paraphrase another aphorism: Death doesn’t change who you are; it reveals who you are. I know I will never attract the adoration that either of my father’s parents did. There just aren’t that many people who care about me. Honestly, I wouldn’t mind a stealth buried like my father’s with no memorial, though hopefully by someone who cares for me more. Or maybe just a party with a bottle of good cognac to share.

    My elementary school teacher’s reaction still baffles me. As if I chose to be sad, or I was somehow rubbing my good fortune (?) in my classmates faces? I think that was one of the most callous things I’ve ever had said to me, certainly in the face of grieving. But I didn’t know what to do with it at the time. So I filed it away. Emotions, especially male emotions that show vulnerability I’ve gathered, are meant to be suppressed and private.

    I remember when my grandfather came back to the apartment from the funeral home with my grandmother’s ashes in a simple cardboard box. Hers were the first cremains I’d seen. I remember thinking both how large and how small that box was. And how easily and quickly we slipped it into the ground in her family plot while no one was around. That dichotomy was reinforced with my grandfather’s remains, and my father’s and stepmother’s.

    As my mother and her sister went through their mother’s purses, trying to see if one would be appropriate for Karen, they found a tiny jam jar with a set of six clear green dice, five matching, one slightly off. Those went immediately to me. I still have them in a hand-turned wooden dice cup. They sit beside a bone die Karen found tucked away in a secretary she received when great aunt died. Dice of the Dead we call them.

    Some positive things came out of these events. After my paternal grandfather’s memorial, I caught up with an uncle who I was very fond of when I was growing up (really my father’s cousin). We exchanged letters from then until he died several years ago. Sometime around then, I got back in touch with my surviving aunt on my father’s side. We exchange phone calls and news fairly regularly now. After my maternal grandmother’s funeral, I reconnected with my mother’s sister. In fact, we exchange emails nearly every day. And talking to my stepbrother and his wife, and comparing observations and stories when they came down to collect his mother was a healing event I think all four of us really needed. Family isn’t always blood.

    I think the most affirming thing that came out of my father’s death for me was watching my stepsister-in-law defend my and my sister’s stake in my father and stepmother’s (small) estate. My father hadn’t set the documents up quite right so instead of being divided between the four children as he and my stepmother intended, by rights it could have all gone to my stepbrothers. My stepsister-in-law battled long and hard for me and my sister. As I did for my sister, as well, in ways she may never know.

    But I haven’t spent one dime of that inheritance yet.

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  2. --------------------------------
    Notes and asides, continued:
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    I’ll leave you with this final thought. This is the piece I wrote and read for my grandmother’s memorial service in an old Unitarian church in Cohasset. Afterwards, a man with a walker, a friend of my grandmother’s I’d never met, chased me down to compliment me on both the piece and the reading. He said it very much reminded him of a particular essayist on NPR. This was back when I could still do a reading that without it sounding like a nervous train wreck. Perhaps the best compliment on my work I’ve ever received. I felt that meant I’d done my grandmother’s memory proud. I sure hope so.

    ---

    Ruth Morgan: A Memory


    Writing should come easy, but it doesn’t this time. Longing for the perfect words to do her memory justice, I stare out the window for inspiration. I’ve already scoured the house, desperately searching for an item, a focus, a gift my grandmother left me that might spark my imagination. Having found nothing appropriate, my gaze returns to the front garden and the roses that bloom fresh each day, some pale yellow, others lavender, pink or white.

    Roses. Did she like roses? My father tells a story of nights when he was still living in Quincy, where he would return home late, regularly plowing his car through the beds of flowers she planted by the drive. How each morning afterwards, she would quietly replant them while he slept, never mentioning their untimely demise. But were they roses? I can’t remember. Perhaps he never said. Besides, that’s his story to tell, or not, as he chooses, not mine to pilfer from a lack of inspiration.

    So I return to the front window. No longer really seeing what’s out there, I just drift in thought. And as sometimes happens when my vision softens, strains of music float into my head. In this case, a song I know from her. “Getting to know you,” I smile as she sings to me again, “Getting to know all about you.” I remember her singing this song softly, as though it were a lullaby. “Getting to like you, getting to hope you like me.” I remember curling up near her when she sang to me when I was very young. For those moments, only she and I existed, enveloped in a world defined by her voice, any hurt or sorrow erased by her loving intonation of the song.

    Then, the song jumps forward in my mind as memories sometimes do, “You are precisely, my cup of tea.” I remember she sang to my sister and my cousins in the same way, but at that moment she made me feel completely and uniquely loved, as I think she did so many people. My mind skips ahead one more time, “Because of all the beautiful and new, things I'm learning about you.” Older, I remember bringing sweethearts and the love who became my wife to meet her, hoping for her approval, never leaving disappointed. And then I’m suddenly a child again, her finger lightly tapping my nose as an exclamation to each of the final words, “Day,” (tap) “by,” (tap) “day,” (tap, tap). I remember smiling and laughing together afterwards in a way I think only a grandmother and her grandchild can.

    As the music in my head settles into silence, I realize she has left me a gift more precious and enduring than any trinket that might sit idly on display, no matter how high a place of honor I give it. It is the gift of the music that flows around the edges of my mind. Whether a song she sang to me, or some other, that music gauges my mood each morning, buoying me days I feel sad, comforting me days I feel alone. I believe it comes from the same source as the music I remember my father humming as he wandered through his morning. That music is the warmth she shared with so many, resonating with the love I feel as I hear her voice echoing across my memory.

    In a recent letter, a dear friend of mine, who also happens to be a cousin, said to me that good memories are a kindness. As long as that music plays across my mind, I know she lives within my heart, and her kindness lingers a while longer.


    Edward P. Morgan III
    5/3/05

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  3. Picture Notes:

    When I started working on this picture, both Edward and I thought we could get some pictures from a cemetery. There just aren't any good old fashion New England stone walls down here, which would have been our first choice. But most of the cemeteries around here have low flat inset stones, instead of the larger, vertical headstones. I stumbled across this scene at one of the mausoleums in a cemetery on the way to work. There was a niche that faced north lined with white marble. The light and shadow give the flowers, stones and plaques an almost monochromatic feel. The lines on the stone facade draw your eyes from left to right, dark to light, giving it a real sense of depth. Going from shadow to light also gives the feeling of leading to another place.

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